wykg:

buddy tote backpack is last one left at #HypeBeaststore. I’m happy to see our buddy sale well. / バディのトートバックパックが#ハイプビースト にてラスト1個。売れてて嬉しい限りです!#buddyhappy

wykg:

buddy tote backpack is last one left at #HypeBeaststore. I’m happy to see our buddy sale well. / バディのトートバックパックが#ハイプビースト にてラスト1個。売れてて嬉しい限りです!#buddyhappy

wykgからリブログ
acehotel:

Jeremy and Sabrina came to Portland, stayed with us and ate like kings, and they have the pictures to prove it.

acehotel:

Jeremy and Sabrina came to Portland, stayed with us and ate like kings, and they have the pictures to prove it.

Ace Hotelからリブログ
tomsachs:

Panopticon Bitches!

tomsachs:

Panopticon Bitches!

Tom Sachsからリブログ
acehotel:

In 1912, Alfred Stieglitz presented a showcase of water colors, drawings and pastels by children in his epochal gallery 291, named for its address on Fifth Avenue, around the corner from The Breslin Hotel where Ace Hotel New York now makes its home. The gallery was the first to introduce Americans to revolutionary European artists like Picasso, Braque, Matisse, Brancusi, Picabia, Duchamp, Rodin and Rousseau, as well as homegrown visionaries like Paul Strand, Edward Steichen, Alfred Maurer and Georgia O’Keeffe. It was also the first American gallery to treat children’s art as something worthy of contemplation. In 1913, The Armory Show brought many of the artists first shown in America at 291 to the masses, and the mainstream press, to a famously mixed reception. As we approach the centennial of the original Armory Show in March 2013, and our own celebratory gallery show in the lobby of excerpts from the show’s Focus section — a look at thriving but under-recognized art communities around the world — we’ll take a few glances back at the little gallery around the corner that changed everything.  

acehotel:

In 1912, Alfred Stieglitz presented a showcase of water colors, drawings and pastels by children in his epochal gallery 291, named for its address on Fifth Avenue, around the corner from The Breslin Hotel where Ace Hotel New York now makes its home. The gallery was the first to introduce Americans to revolutionary European artists like Picasso, Braque, Matisse, Brancusi, Picabia, Duchamp, Rodin and Rousseau, as well as homegrown visionaries like Paul Strand, Edward Steichen, Alfred Maurer and Georgia O’Keeffe. It was also the first American gallery to treat children’s art as something worthy of contemplation. In 1913, The Armory Show brought many of the artists first shown in America at 291 to the masses, and the mainstream press, to a famously mixed reception. As we approach the centennial of the original Armory Show in March 2013, and our own celebratory gallery show in the lobby of excerpts from the show’s Focus section — a look at thriving but under-recognized art communities around the world — we’ll take a few glances back at the little gallery around the corner that changed everything.  

Ace Hotelからリブログ

Light up the Darkness…

Bob Marley - redemption song acustic (by Henrshy)

Beautiful…

Beautiful…

Miss Grotesk.からリブログ
Happy Fourth of July.

Happy Fourth of July.

Jからリブログ
Radio Raheem: Let me tell you the story of Right Hand, Left Hand. It’s a tale of good and evil. Hate: it was with this hand that Cane iced his brother. Love: these five fingers, they go straight to the soul of man. The right hand: the hand of love. The story of life is this: static. One hand is always fighting the other hand, and the left hand is kicking much ass. I mean, it looks like the right hand, Love, is finished. But hold on, stop the presses, the right hand is coming back. Yeah, he got the left hand on the ropes, now, that’s right. Ooh, it’s a devastating right and Hate is hurt, he’s down. Left-Hand Hate KOed by Love.
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“The Boss”